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The Shaman’s Plan: An Anthropological Analysis of the Feast and Curing Responsibilities in the Film

 

Describe the Shaman’s Plan. This is a tough one that requires you to engage in anthropological analysis. You are to bring an anthropological perspective to the film and explain why the shaman is holding the feast for a neighboring village, how the feast is part of the shaman’s curing responsibilities, and how the logic of the feast as a curing mechanism is related to a Yanomamo spirit theory of disease. This is never explained in the film, and so you have to use what we have learned this semester to piece together how the shaman envisions the feast as part of his responsibility to prevent his people from getting sick and dying. Consider/use the following in your analysis:

a) Remember that shamans must always cure spiritually, medicinally, and socially.

b) How does feasting the neighboring village socially and spiritually cure according to a spirit theory of disease and the logic by which Yanomamo people understand themselves to get sick?

c) Yanomamo kinship is unilineal, and is organized through a patrilineal rule of descent. The Yanomamo also practice cross-cousin marriage. Can you describe how cross-cousin marriage might be present in the shaman’s curing logic (Hint: the shaman has two children that we meet them in the film, and each of those children has a child, so the explanation involves the shaman’s grandchildren)?

 

Sample Answer

 

 

Title: The Shaman’s Plan: An Anthropological Analysis of the Feast and Curing Responsibilities in the Film

Introduction:
In the film, the shaman’s plan to hold a feast for a neighboring village unveils a deeper understanding of the Yanomamo people’s perspective on curing and disease. By examining the social, medicinal, and spiritual aspects of the shaman’s role, as well as the Yanomamo spirit theory of disease, we can piece together how the feast serves as a mechanism to prevent illness and death. Additionally, considering the Yanomamo kinship system, particularly cross-cousin marriage, sheds light on the shaman’s curing logic and his responsibility towards his grandchildren.

Body:

a) The threefold cure: Spiritually, Medicinally, and Socially:
In Yanomamo culture, shamans are responsible for curing not only through spiritual means but also through medicinal and social practices. This holistic approach addresses all aspects of sickness. By engaging in rituals, using medicinal plants, and fostering social cohesion, shamans aim to restore balance and harmony within the community.

b) Social and Spiritual Cure through Feasting:
According to the Yanomamo spirit theory of disease, illness is often attributed to malevolent spirits causing disharmony within an individual or community. The shaman’s plan to hold a feast for a neighboring village can be seen as a social and spiritual cure. By feasting with the neighboring village, the shaman aims to reinforce social bonds and establish harmonious relationships between communities. This act of solidarity counters the disruptive influence of malevolent spirits and restores balance within the social fabric.

c) Cross-Cousin Marriage and Curing Logic:
In Yanomamo kinship, cross-cousin marriage is practiced. This means that individuals are encouraged to marry their cross-cousins, who are children of their mother’s brother or father’s sister. The shaman’s children, whom we meet in the film, each have a child themselves, making them the shaman’s grandchildren. Cross-cousin marriage plays a significant role in the shaman’s curing logic.

The shaman’s grandchildren, as descendants of his cross-cousins, are considered kin in both a biological and social sense. According to Yanomamo cultural beliefs, curing responsibilities extend not only to immediate family members but also to extended kinship networks. By maintaining close relationships with his grandchildren, who are linked through cross-cousin marriage, the shaman ensures that his curing responsibilities extend beyond his direct lineage. This interconnectedness allows him to fulfill his role in preventing illness and maintaining overall community well-being.

Conclusion:
The shaman’s plan to hold a feast for a neighboring village in the film provides insights into the complex curing responsibilities within Yanomamo culture. By addressing spiritual, medicinal, and social dimensions of disease prevention, shamans aim to restore balance and harmony within their communities. Through feasting, social bonds are reinforced, and malevolent spirits are appeased. Moreover, cross-cousin marriage plays a crucial role in the shaman’s curing logic by extending his responsibilities to his grandchildren and maintaining connections within the wider kinship network. By piecing together these anthropological insights, we can better understand the shaman’s vision for preventing illness and death among the Yanomamo people.

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