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In a thesis-driven, highly analytical essay, critique Ngugi’s assertion that African authors—to craft “authentically” African literature—must write in an African language.
Considerations:
Do you agree with Ngugi? What are some of the limitations of his suggestion that problematize his definition of African literature? Finally, although Ngugi concerns himself with African literature in a post-colonial context, because his ideas are rooted in a more general theory of language, his assertions have unexpected implications for all uses of language, even day-to-day, nonliterary ones. What are some of these implications? How can we apply what we’ve learned from Ngugi in our own lives? Explain.
