Reimagining “Fighting” by Arthur Waley: A Creative Exploration

Step 1: Create your work

A creative rewriting of one of the following poems:

[Option 1]
Fighting
Translated by Arthur Waley

Last year we were fighting at the source of the San-kan;
This year we are fighting at the Onion River road.
We have washed our swords in the surf of Indian seas;
We have pastured our horses among the snows of T’ien Shan.
Three armies have grown gray and old,
Fighting ten thousand leagues away from home.
The Huns have no trade but battle and carnage;
They have no pastures or ploughlands,
But only wastes where white bones lie among yellow sands.
Where the house of Ch’in built the great wall that was to keep away the Tartars,
There, in its turn, the house of Han lit beacons of war.
The beacons are always alight; fighting and marching never stop.
Men die in the field, slashing sword to sword;
The horses of the conquered neigh piteously to Heaven.
Crows and hawks peck for human guts,
Carry them in their beaks and hang them on the branches of withered trees.
Captains and soldiers are smeared on the bushes and grass;
The General schemed in vain.
Know therefore that the sword is a cursèd thing
Which the wise man uses only if he must.

[Option 2]
The White River at Nan-Yang
Translated by Arthur Waley

Wading at dawn the White River’s source,
Severed a while from the common ways of men,
To islands tinged with the colours of Paradise,
Where the river sky drowns in limpid space.
While my eyes were watching the clouds that travel to the sea.
My heart was idle as the fish that swim in the stream.
With long singing I put the sun to rest:
Riding the moon,came back to my fields and home.

Step 2: Write about your work

Once you have produced your creative work, please address the following items in a short 300 to 400-word essay.

Identify the specific piece of art, literature, drama, music, dance etc., that you were imitating. If you are imitating a specific artist or author, provide the name of one of their works. If you imitate a particular time period or type of work, identify it.

Explain why you used this example as your inspiration.

Specifically explain what elements, techniques etc., you used from the original piece in your own, what you changed or modified and why.

Provide some general comments based on what you did in this exercise about how elements from the Humanities can be incorporated into your personal and job-related creative and thinking processes.

 

 

 

 

Nature and Human Consciousness in William Wordsworth’s “Tintern Abbey”

POEM TO BE USED FOR THIS ESSAY:
“Lines Composed a Few Miles above Tintern Abbey, On Revisiting the Banks of the
Wye during a Tour. July 13, 1798” by Willam Wordsworth
ESSAY INSTRUCTIONS:
“Nature” is a complicated term in Romanticism, and we may observe that it is
approached in various ways, and within various meanings. Some issues you might
consider (you will not have space to consider them all):
– Is nature passive without the human subject’s animation of it?
– In what ways does the poet represent nature as necessarily mediated (or not mediated) by human consciousness?
– What is the relationship between the poet’s individuality and his/her engagement with the natural world?
– How and why does nature play a crucial role in human creativity?
– Are nature and the human at strife?
– Is the poet ambivalent about nature’s effect on them?

These questions are intended as a springboard to help you define a thesis and develop an argument; they are NOT intended as “questions for you to answer.” You will have to limit the number of issues you consider. You should define a thesis within this more general rubric (rather than writing in over-general terms). Choose a topic about nature and human consciousness that interests you and which you would like to explore in greater textual detail. The reflections posed in the above paragraph should be helpful in orienting you to the kinds of questions that are most relevant, but you might well find other questions about nature and consciousness that are equally fruitful.

 

 

 

“The Streets” by Rick Barot

write an analysis of the work in which you discuss not just what you feel the poem is about, but also which poetic devices the poet used and to what end. Make sure to go into as much detail as possible about what types of devices are used and how. An analysis is not a summary or restatement of what is going on in a piece of work—it is a thoughtful breakdown of the work which results in insights that go below the surface of a one-time reading and far beyond just “who, what, where” types of statements.Even though this is a short analysis, you must still make sure to follow the fundamentals rules of composition. For example, your paper must include an introduction (with engaging pull in and focused thesis statement), a body (with textual support), and a conclusion (with signal that you are concluding and something to think about).
“The Streets” by Rick Barot
https://www.poetryfoundation.org/poetrymagazine/poems/159232/the-streets

 

 

 

 

The central, main “thrust” or “claim”

 

 

 

 

 

Locate the central, main “thrust” or “claim” of one of the poems or stories from our course reader and then to proceed to analyze how this message is developed. This means underlining and emphasizing those key moments in the piece where it uses specific language to convey its point and convince its readership. Your own will similarly use its own language to convince us that you have paid close attention to those methods used in an act of linguistic persuasion

Gun Violence

 

The poem must start with two lines from the poem: “Letter Beginning with Two Lines by Czesław Miłosz” by Matthew Olzmann.
Here is the link to the poem: https://poets.org/poem/letter-beginning-two-lines-czeslaw-milosz
After you choose two lines to start the poem with from that poem then you can write freely. This assignment does not require that you take any specific
approach, simply that you try to write a powerful piece that speaks to your views on this issue. This poem should be at least twenty lines. No plagiarism,
besides starting the poem with two lines from Matthew Olzmann’s piece

 

 

 

A HAIKU POETRY

WRITE A HAIKU about on of the following topics:

• Double consciousness

• The color line

• Women’s Autonomy

• Intersectionality

• One or more dimensions of the veil

• Valuation of women’s work (housework for sure)

• The Middle Ground—Women’s Special Cultural Tasks