Expressing time: connecting film and sculpture

 

Living through fascism: mid-twentieth century politics of film and sculpture; Films on sculpture: conveying phenomenology; Sculpting film sets: meanings of modern sculpture in film; Expressions of modernity across mediums: technology, industry and anxiety. Reconnecting with nature: materiality and representation in film and sculpture. Rewriting the canon: narratives of marginalization in modern sculpture and film.

The first step of any research is: identify your topic.
Read extensively about your topic, trying to understand the position of different scholars in that specific discourse, as well as the main aspects discussed. Your paper should cite at least 7 sources (primary and secondary) which will show the depth of your research.
Take notes while you view the primary and secondary sources included in your bibliography. to describe the status of previous scholarship on your topic.
Develop your own thesis. Considered the position of other writers, what is your own position? Do you agree/disagree with the interpretation of some of them? Can you contribute to a certain discussion by adding arguments that could reinforce another scholars’ perspective? Or, on the contrary, do you disagree with a scholar’s theory? What aspects have been underestimated by existing discourses?
Once you have developed your thesis, you must put it to the test. Take a distance and ask yourself: WHY is your thesis convincing and HOW does your argument work?
The answers to the questions at 5. will constitute your points of proof: the points on which you will base your essay. In the answers to the questions at n.5, bring as much evidence as possible. Ground your points in written and visual sources, bringing examples and discussing primary and secondary materials.
Imagine counter-arguments. How could your readers react to your essay? In what could they disagree with you? Discuss the counter-points. (when you organize your essay, you might insert the discussion of the counterpoints before the discussion of your own point, so you will conclude with a positive statement. That should reinforce your thesis).
Do not generalize. Do not use judgmental words. Try to use appropriate vocabulary. Please, use the Chicago Manual of Style for your Citations.

https://www.chicagomanualofstyle.org/tools_citationguide/citation-guide-1.html

 

 

 

 

Film response

 

https://www.youtube.com/watch?v=vBgPIx1u-AA&feature=emb_err_watch_on_yt
Recommended Reading: Sengoopta on Pather Panchali: http://web.a.ebscohost.com.ezproxy.library.dal.ca/ehost/detail/detail?vid=0&sid=ac74605c-8563-4f36-b18b-e52cc14a8a2f%40sessionmgr4007&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#AN=44192325&db=f3h
1. Identify two or three key aesthetic elements of the film (aspects of sound, mise-enscène, cinematography, editing, or narrative structure). First, describe the element(s) as precisely as you can. Use technical terms if you know them, and if you don’t, simply be as precise with your adjectives as you can be. Second, state how the aesthetics affect the story. For example, the same story may have quite a different impact in a slow-paced film than in a fast-paced film.

2. What aspect(s) of society/culture appear powerfully in the film? How does the film reflect on this/these aspect(s)? That is, what does the film teach you or have to say about particular social or cultural conditions or events? Give evidence of specific moments in the film.

3. Discuss the genre of the film (you can define genre however you want – documentary vs. fiction, detective film vs. rom-com, children’s vs. adult film, etc.). What are the key features of the film that make you categorize the film this way? Does it seem a typical example of its genre, or quite unusual? How so? You can but do not have to discuss other films that may have influenced or been influenced by this film. 4. What kind of an audience does the film appear to have been made for? For example, does it seem to be accessible to an international audience, or does it make assumptions that the audience will have certain, specific cultural or historical knowledge? Does it speak to all ages, or is it addressed specifically to adults? Does it address an audience with a lot of institutionalized education, or a less formally educated audience? Give evidence of specific moments in the film or specific aspects of the film.

 

 

 

 

Video summary

 

Please watch the videos below and write three to four paragraphs for each video summarizing its contents.

This is the video #1:

In your posts you might want to discuss similarities and differences between financial accounting and managerial accounting, what managerial accountants do, why do they do it, how do they do what they do, etc.

This is the video #2:

In your posts you might want to discuss cost classifications for manufacturing companies, direct materials, direct labor, overhead, etc.

This is the video #3:

In your posts you make sure to explain what are product costs and what are period costs. Also explain how product and period costs fit in with direct materials, direct, labor and overhead.

This is the video #4:

In your posts you might want to discuss production process and how we account and record Direct Labor, Direct Materials and Overhead in Raw Materials, Work In Process, and Overhead Costs, make sure to discuss Debits and Credits in detail. Also Discuss Predetermined Overhead Rate and how it is calculated and how is it applied.

This is the video #5:

In your posts you might want to discuss how Overhead is applied in traditional systems, What is ABC as used in Overhead cost calculations and applications. Why do companies use ABC instead of Traditional systems. How are over applied and under applied overhead handled. Also, it will be good if you use examples.
https://youtu.be/M-uGibLcQ-g

 

 

Video Reflection: Milgram Experiment Remake

 

 

This Video Reflection is based upon the video Milgram Experiment Remake (link in Blackboard Course Materials). This reflection should be doublespaced, minimum 300 words; at the top of your paper please put your name and word count. You will submit this Video Reflection as a Word doc via Blackboard by the due date/time posted in Blackboard. Please note that your paper should NOT simply summarize the video. Rather, your paper should focus primarily on your personal reaction to / reflection upon the video. In your paper it is not enough to say simply “I liked the video” or “I didn’t like the video.” You need to think critically about your reaction to the video/issues posed, and explain why you reacted to the video the way that you did.

 

Movie review

 

In The Heat of The Night was filmed in 1967. We first encounter Mr. Tibbs fairly early in the movie. How would you describe his introduction to the viewers? Do you think similar encounters happen to people today, in the 21st century? Explain your response.

Present some examples of the differences in northern and southern culture highlighting themselves.

What did Mr. and Mrs. Colbert represent?

How would you describe Tibbs? How would you describe Gillespie?

When Gillespie asks Tibbs what do people call him up north how did he respond? Why do you think he responded in the manner in which he did?

Throughout the movie the word “boy” is bestowed upon Tibbs, was there a cultural significance for its use? Explain your response.

Were Tibbs and Gillespie representative of their cultures? Explain your response.

What was the significance of Endecott’s statement there was a time he could have had Tibbs shot?

What are the implications of the ending?

 

 

The film: Crash

1) Watch the film Crash.Takes notes as you are watching; and pay attention to important details such as the names of characters, the setting of the film, and
key events that occur. You can also keep a list of some of the conflicts between characters as well as any
major themes the film seems to address.

Jean Baudrillard’s book Simulacra and Simulation and the 1999 film The Matrix.

This essay is about connections between Jean Baudrillard’s book Simulacra and Simulation and the 1999 film The Matrix. You are to explore connections between ancient and contemporary philosophy/philosophers. The essay must be at least 200 words. Please see attached for complete details.