The Intersection of Landscape and Architecture: Maya Lin’s Artistic Vision

Participate in the Unit 4 Website Discussion Board about artists Maya Lin and James Kerry Marshall.
a. Go to https://art21.org/artists/ and find the pages for each artist.
b. Read their biographies and watch the video segment featuring each artist.
c. Use the Maya Lin Website for reference at http://www.mayalin.com/.
i. How does Maya Lin combine landscape and architecture?
ii. Does she see herself as an architect?
iii. What other projects interest her?
d. Discuss how James Kerry Marshall used his art for a potentially political purpose.
James Kerry Marshall at the Jack Shainman Gallery: http://www.jackshainman.com/artists/kerryjames-marshall/

The Power of Architectural Design in Expressing Emotion

a. Choose at least two ideas to write and reflect upon.
b. Respond back to at least one other student’s statements.
i. Describe what your chosen location means to you.
ii. What emotions do different structures communicate by their designs?
iii. Has architectural design mismatched the function of the building?
iv. How can nature be architectural in a setting (Grand Canyon, oceanfront, mountain road, forest clearing, or desert vista)? Example art works to enhance the idea include:
1. Georgia O’Keeffe: https://www.okeeffemuseum.org/
2. Northern Song Dynasty Landscape Paintings: http://depts.washington.edu/chinaciv/painting/tptgnsla.htm
3. Joseph Mallord Turner Seascapes:
http://www.tate.org.uk/art/artworks/turner-three-seascapes-n05491

Portrait of a Polish Woman – Amedeo Modigliani, Italian, 1884 – 1920

 

Please click the link for the work of art this assignment is on:
Portrait of a Polish Woman – Amedeo Modigliani, Italian, 1884 – 1920 — Google Arts & Culture https://artsandculture.google.com/asset/portrait-of-a-polish-woman/UwEiyOfsixVarw?hl=en
• Identification: Select a work of art. You may select a piece that you like or dislike. Get all the information provided: artist, title, medium, year, etc. Write down your initial responses. How do you respond to the work? Does it invoke an emotional response? What do you think the artist was trying to communicate? It is helpful to bring a notebook to record your responses.
• Describe the piece and review it carefully. What do you see? Note all the details about the work. How would you describe it to someone you were talking to on the phone who can’t see it?
• Analyze the visual elements and design principles, thinking about the relationship between form, content, and subject matter. This will be helpful in your ‘interpretation’ of the work. Consider context: does it fit into a movement or time period? Consider its place in the artist’s overall output.
• Interpretation Follow your analysis with a subjective interpretation of the meaning of the work. How does the work make you feel? What do you think the content is? Go beyond “I like it” or “I don’t like it.”
• Research the artist. Historical and biographical information on the artist often provides clues into a work’s intended meaning. Carefully consider the purpose and context of the piece. Did the piece you selected have any particular political or cultural message? Was the artist making a statement?
• Evaluate What do you think the artist’s intentions were? Was this communicated? Does it have value? Can you recognize the aesthetic quality in the work?

 

 

 

Weeping Nude – Edvard Munch — Google Arts & Culture

 

Please click the link for the work of art this assignment is on:
Weeping Nude – Edvard Munch — Google Arts & Culture https://artsandculture.google.com/asset/weeping-nude/6AF2UetLe5bmSw?hl=en
• Identification: Select a work of art. You may select a piece that you like or dislike. Get all the information provided: artist, title, medium, year, etc. Write down your initial responses. How do you respond to the work? Does it invoke an emotional response? What do you think the artist was trying to communicate? It is helpful to bring a notebook to record your responses.
• Describe the piece and review it carefully. What do you see? Note all the details about the work. How would you describe it to someone you were talking to on the phone who can’t see it?
• Analyze the visual elements and design principles, thinking about the relationship between form, content, and subject matter. This will be helpful in your ‘interpretation’ of the work. Consider context: does it fit into a movement or time period? Consider its place in the artist’s overall output.
• Interpretation Follow your analysis with a subjective interpretation of the meaning of the work. How does the work make you feel? What do you think the content is? Go beyond “I like it” or “I don’t like it.”
• Research the artist. Historical and biographical information on the artist often provides clues into a work’s intended meaning. Carefully consider the purpose and context of the piece. Did the piece you selected have any particular political or cultural message? Was the artist making a statement?
• Evaluate What do you think the artist’s intentions were? Was this communicated? Does it have value? Can you recognize the aesthetic quality in the work?

Medusa Artist: Caravaggio Merisi Medium: Oil on canvas Year: 1597-1598

 

Please click the link for the work of art this assignment is on:
Medusa – Caravaggio Merisi — Google Arts & Culture https://artsandculture.google.com/asset/medusa-caravaggio-merisi/FAFPqU12CekL8Q?hl=en
• Identification: Select a work of art. You may select a piece that you like or dislike. Get all the information provided: artist, title, medium, year, etc. Write down your initial responses. How do you respond to the work? Does it invoke an emotional response? What do you think the artist was trying to communicate? It is helpful to bring a notebook to record your responses.
• Describe the piece and review it carefully. What do you see? Note all the details about the work. How would you describe it to someone you were talking to on the phone who can’t see it?
• Analyze the visual elements and design principles, thinking about the relationship between form, content, and subject matter. This will be helpful in your ‘interpretation’ of the work. Consider context: does it fit into a movement or time period? Consider its place in the artist’s overall output.
• Interpretation Follow your analysis with a subjective interpretation of the meaning of the work. How does the work make you feel? What do you think the content is? Go beyond “I like it” or “I don’t like it.”
• Research the artist. Historical and biographical information on the artist often provides clues into a work’s intended meaning. Carefully consider the purpose and context of the piece. Did the piece you selected have any particular political or cultural message? Was the artist making a statement?
• Evaluate What do you think the artist’s intentions were? Was this communicated? Does it have value? Can you recognize the aesthetic quality in the work?

Annunciation Artist: Matthias Stomer Medium: Oil on canvas Year: 1635-1645

Please click the link for the work of art this assignment is on:
Annunciation – Matthias Stomer — Google Arts & Culture https://artsandculture.google.com/asset/annunciation-matthias-stomer/KQEcz3DLiSzkUg?hl=en
• Identification: Select a work of art. You may select a piece that you like or dislike. Get all the information provided: artist, title, medium, year, etc. Write down your initial responses. How do you respond to the work? Does it invoke an emotional response? What do you think the artist was trying to communicate? It is helpful to bring a notebook to record your responses.
• Describe the piece and review it carefully. What do you see? Note all the details about the work. How would you describe it to someone you were talking to on the phone who can’t see it?
• Analyze the visual elements and design principles, thinking about the relationship between form, content, and subject matter. This will be helpful in your ‘interpretation’ of the work. Consider context: does it fit into a movement or time period? Consider its place in the artist’s overall output.
• Interpretation Follow your analysis with a subjective interpretation of the meaning of the work. How does the work make you feel? What do you think the content is? Go beyond “I like it” or “I don’t like it.”
• Research the artist. Historical and biographical information on the artist often provides clues into a work’s intended meaning. Carefully consider the purpose and context of the piece. Did the piece you selected have any particular political or cultural message? Was the artist making a statement?
• Evaluate What do you think the artist’s intentions were? Was this communicated? Does it have value? Can you recognize the aesthetic quality in the work?

The Garden of Eden Artist: Lucas Cranach the Elder Medium: Oil on panel Year: 1530

Please click the link for the work of art this assignment is on:
The Garden of Eden – Lucas Cranach the Elder — Google Arts & Culture https://artsandculture.google.com/asset/the-garden-of-eden/xwGya4Yirsmgjw?hl=en
• Identification: Select a work of art. You may select a piece that you like or dislike. Get all the information provided: artist, title, medium, year, etc. Write down your initial responses. How do you respond to the work? Does it invoke an emotional response? What do you think the artist was trying to communicate? It is helpful to bring a notebook to record your responses.
• Describe the piece and review it carefully. What do you see? Note all the details about the work. How would you describe it to someone you were talking to on the phone who can’t see it?
• Analyze the visual elements and design principles, thinking about the relationship between form, content, and subject matter. This will be helpful in your ‘interpretation’ of the work. Consider context: does it fit into a movement or time period? Consider its place in the artist’s overall output.
• Interpretation Follow your analysis with a subjective interpretation of the meaning of the work. How does the work make you feel? What do you think the content is? Go beyond “I like it” or “I don’t like it.”
• Research the artist. Historical and biographical information on the artist often provides clues into a work’s intended meaning. Carefully consider the purpose and context of the piece. Did the piece you selected have any particular political or cultural message? Was the artist making a statement?
• Evaluate What do you think the artist’s intentions were? Was this communicated? Does it have value? Can you recognize the aesthetic quality in the work?

 

 

 

Experimental Designs

Read: Robson & McCartan: Chapters 6 – 8

Watch: Research Design (in 3 Minutes)

Watch: Telling a Complete Story with Qualitative and Mixed Methods Research

Watch: Chapter 7 Elements of Research Design

https://players.brightcove.net/622696559001/BJQ3kMlB_default/index.html?videoId=6093988105001

Watch: Chapter 17 Qualitative Data Analysis

https://players.brightcove.net/622696559001/BJQ3kMlB_default/index.html?videoId=6093995141001

Watch: Chapter 15 Quantitative Data Analysis

https://players.brightcove.net/622696559001/BJQ3kMlB_default/index.html?videoId=6093996671001

Watch: Chapter 11 Experimental Designs

  1. Describe the three designs and when is it appropriate to use each design? How are the designs similar? How are the designs different?
  2. What specific methods are related to each of these designs?
  3. What design (fixed, flexible, mixed), method (quantitative, qualitative, mixed-method), and method design (i.e. correlational, case study, phenomenology, etc.) is most appropriate to address your proposed research problem from Week 2? Provide a rationale for why you believe it is the most appropriate.

Experimental Designs

Read: Robson & McCartan: Chapters 6 – 8

Watch: Research Design (in 3 Minutes)

Watch: Telling a Complete Story with Qualitative and Mixed Methods Research

Watch: Chapter 7 Elements of Research Design

https://players.brightcove.net/622696559001/BJQ3kMlB_default/index.html?videoId=6093988105001

Watch: Chapter 17 Qualitative Data Analysis

https://players.brightcove.net/622696559001/BJQ3kMlB_default/index.html?videoId=6093995141001

Watch: Chapter 15 Quantitative Data Analysis

https://players.brightcove.net/622696559001/BJQ3kMlB_default/index.html?videoId=6093996671001

Watch: Chapter 11 Experimental Designs

  1. Describe the three designs and when is it appropriate to use each design? How are the designs similar? How are the designs different?
  2. What specific methods are related to each of these designs?
  3. What design (fixed, flexible, mixed), method (quantitative, qualitative, mixed-method), and method design (i.e. correlational, case study, phenomenology, etc.) is most appropriate to address your proposed research problem from Week 2? Provide a rationale for why you believe it is the most appropriate.