Full Answer Section
Andrea Dworkin, in her work Woman Hating, offers a critical analysis of the portrayal of fairy tale heroines. According to Dworkin, these heroines often follow a pattern that reinforces patriarchal ideals and perpetuates the subjugation of women. In her analysis, three major points emerge that are applicable to the characterization of the young wife in “Blue Beard.”
Firstly, Dworkin emphasizes the significance of beauty in shaping the destiny of female protagonists in fairy tales. She argues that beauty is often presented as a defining trait for these heroines, and their worth and fate are determined by their physical appearance. Dworkin states, “Beauty is the measure of wisdom, virtue, and worth” (Dworkin, 1974, p. 70). In “Blue Beard,” the young wife’s beauty is highlighted when she is chosen by Blue Beard as his bride. Her physical attractiveness becomes a central aspect of her identity and plays a crucial role in her subsequent experiences.
Secondly, Dworkin points out the recurring theme of victimization that is seemingly necessary for every fairy tale heroine. She suggests that the victimization of these heroines serves as a means to reinforce societal norms and perpetuate the notion that women are inherently vulnerable and in need of protection. Dworkin argues, “In the fairy tale, the heroine is not only the victim of her own beauty; she is victimized” (Dworkin, 1974, p. 76). In “Blue Beard,” the young wife becomes a victim when she discovers the gruesome secret of her husband’s previous wives and is then pursued by him. This victimization highlights the power dynamics and the lack of agency that often characterize the portrayal of female protagonists in fairy tales.
Lastly, Dworkin discusses the appearance of a savior or a rescuer for the damsel in distress. She suggests that this trope reinforces the idea that women require external intervention to escape their dire situations, denying them agency and self-determination. Dworkin states, “There is always a prince, a king’s son, a fairy godmother, or some other male who will rescue the damsel in distress” (Dworkin, 1974, p. 82). In “Blue Beard,” the young wife’s brothers come to her rescue just in time, defeating Blue Beard and saving her from a potentially fatal situation. This rescue perpetuates the narrative that women are unable to liberate themselves and require male intervention.
In conclusion, Andrea Dworkin’s analysis of fairy tale heroines provides valuable insights into the characterization of the young wife in “Blue Beard.” The emphasis on beauty, the victimization of the protagonist, and the appearance of a savior all align with Dworkin’s critique of the portrayal of women in these narratives. By recognizing and questioning these patterns, we can gain a deeper understanding of how fairy tales perpetuate patriarchal norms and challenge these narratives to promote more empowering representations of women.
References:
Dworkin, A. (1974). Woman Hating. New York: E. P. Dutton.
Our orders are delivered strictly on time without delay 
